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Circle is a social contract: All participants agree to principles of cooperation that set the
tone of conversation and govern how the group fulfills its intention.
The agreement to pause is activated by a group member who volunteers to serve as
“guardian.” This person, usually rotating session by session, has authority from the group to make
some agreed-upon signal that brings interaction to a halt. This is often a chime or small bell. To
initiate pause, the guardian rings the chime. To release pause, the guardian rings a second time
and speaks to the reason for calling a rest in action. “We were interrupting each other” or “It
seems timely to take a stretch break here.”
The circle begins with a round called check-in. Among the nursing leaders, everyone
responds to the question, “What led you to this organization and what renews your faith in
it?” The pagers and cell phones are off and workday details are far away. People pass a small
stone hand to hand to take turns talking. They lean in, speak with heartfelt intensity, and tell
a story that moves listeners to nods of recognition, laughter, and sometimes tears. Something
happens in this manner of speaking and listening that is a combination of the circle design
and the willingness of each person to risk exploring the dreams they have for the place they
work.
About halfway round the circle one administrator says, “This is what I’ve needed—the
sense that we are inspired by similar stories and want similar things. When we’re back at work, I
can imagine listening to each other in a whole different way. So here’s my story . . .”
Circle fosters a basis of trust built on honest self-disclosure received respectfully. When a
group knows the fundamental stories of its membership, they approach task, planning, and systemic change with confidence that they can think and work together.
As a result of this retreat, these nursing leaders set monthly and annual goals and designed
a process of accountability held in circle. They realized that their ability to function as a professional team was dependent on their ability to build trust through integrating story and dialogue
into agenda-based meetings.
The Basics
Circle History
Circle as a form has been with us since the dawn of human culture. Circle is a foundation
of human social heritage. PeerSpirit circling, a modern adaptation and innovation of this
ancient social and spiritual process, challenges dominant ideologies based on concepts of hierarchy and individualism.1 Coming into the circle is archetypal. People gather to share wisdom,
make collective decisions, and take action for renewal and progress. Circle is the mother of all
methodologies.
Circle Process
Prior to coming together in a PeerSpirit circle (figure 1), people intentionally prepare themselves by attending to personal needs. Circle begins by setting the circle space, including establish-
peerspirit circling
Start
Point
Check-Out
Setting
Center
Guardian
Agreements
Center
Three
Practices
Three
Principles
Check-In
Intention
Illustration by Harriet Peterson
Figure 1. The Components of the PeerSpirit Circle
ing a visual center. A check-in connects people, as they slow down and fully arrive. Circle participants then discuss and commit to abiding by PeerSpirit’s three principles—rotating leadership,
shared responsibility, and reliance on group synergy—and its three practices: intentional speaking,
attentive listening, and conscious self-monitoring. They also adopt group norms (agreements)
arrived at through consensus.
Someone volunteers to act as guardian of the group energy, paying close attention to group
process. The guardian uses some agreed-upon signal to call a stop action to group process, during
which everyone pauses and in a moment of silence seeks guidance for what the circle needs next.
Within this framework, circle members move into the business or intention of the meeting. Passing a talking piece, a tradition in PeerSpirit circles, ensures that everyone has a chance to speak
without interruption. There are times in the circle process when discussion without a talking
piece occurs, since some topics are more efficiently addressed using a free-flowing conversation.
Intentionally constructing a framework for personal interaction grounded in calling forth the
group’s collective wisdom or spirit facilitates clear communication. Circle is brought to closure
with checkout, a talking-piece round to reflect on what has happened.
Circle Today
The circle provides the basis for a culture of conversation in organizations. Principles, practices, agreements (group norms), and other structural components, such as setting intention,
using a guardian of the process, and check-in and checkout, comprise the theory that guides the
practice of PeerSpirit circling.
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The components of circle come alive through their interaction. A clear intention leads
to understanding what agreements need to be in place to fulfill group purpose. The center
allows diverse opinion, option, and creativity to be figuratively placed for all to consider. By
checking in and checking out, the whole group hears what is significant in the learning of
each individual. The principles lead to outcomes that cannot be imagined until the process for
discovering them is released. The practices develop a conversational culture, which fosters a
self-empowering team that can move in coordination within the demands of organizational
life.
Table of Uses
Typical Setting
Project Length
Events
Number of Participants
School District Board of Education
• Experienced and practiced
PeerSpirit circling
• Dialogued on critical issues
• Came to consensus on how
to approach community regarding contentious issues
• Established a timeline for
their action plan
• Committed to continuous,
systemic dialogue in PeerSpirit circle
3 days
Weekend retreat
10 board members
School District Teaching Staff
Met in PeerSpirit circles to:
• build collegiality across grade
levels and subject areas
• process information on current pedagogy
• reflect on implementation of
teaching strategies
• analyze state testing data
• develop and reflect on annual
goals to improve student
achievement
3 years
Met in small circle
groups of 6–8 teachers
during 6 half-day sessions each school year
36 K–12 teachers
peerspirit circling
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Typical Setting
Project Length
Events
Number of Participants
School District Leadership Council
Met in PeerSpirit circles to:
• plan staff development sessions
• process feedback from teachers and modify sessions accordingly
3 years
Met monthly during the
school year for 2–3hour sessions
7 teacher volunteer
leaders
Health Care Facility
Used PeerSpirit process to:
• improve communication, especially during emergencies
• build a culture of cooperation
among administration and
staff
6 months
Three 6-hour training
sessions
• 5 administrators
• 35 health-care workers
Religious Community
Learned PeerSpirit methodology to:
• create a collaborative culture
• renew and sustain current
members
• investigate ways to increase
membership
1 year
Three 3-day retreats
25 community members
About the Authors
Sarah MacDougall, Ed.D. (tenfold@scc.net), is a dedicated educator who investigated the capacity
of PeerSpirit circle methodology to transform individual lives and collective group process. Her
dissertation establishes a theoretical foundation for the efficacy of PeerSpirit circle process as a
means of fostering organizational change.
Christina Baldwin, M.S. (cbaldwin@peerspirit.com), is an innovative facilitator, teacher, and
writer. Her studies of group process methodology led to the concepts presented in Calling the
Circle: The First and Future Culture (Bantam, 1998). She has carried this work throughout North
America, Europe, and Africa. She works with organizations in health care, education, religious
administration, nonprofit, and association boards.
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Where to Go for More Information
References
Baldwin, C. Calling the Circle: The First and Future Culture. New York: Bantam Books, 1998.
Basic Guidelines for Calling a Circle—http://peerspirit.com/htmlpages/circlebasics.html.
MacDougall, S. N. Calling on Spirit: An Interpretive Ethnography of PeerSpirit Circles as
Transformative Process. Santa Barbara, CA: Fielding Graduate University, 2005. Dissertation
Abstracts International, A66/06, p. 2407 (UMI No. 3178997).
Wheatley, M. J. Turning to One Another: Simple Conversations to Restore Hope to the Future. San
Francisco: Berrett-Koehler, 2002.
Organization
PeerSpirit—www.peerspirit.com
1. S. N. MacDougall, Calling on Spirit: An Interpretive Ethnography of PeerSpirit Circles as Transformative
Process. Santa Barbara, CA: Fielding Graduate University, 2005. Dissertation Abstracts International,
A66/06, p. 2407 (UMI No. 3178997).
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petra eickhoff and stephan g. geffers
Power of Imagination Studio
A Further Development of the
Future Workshop Concept
As for the future, your task is not to foresee it, but to enable it.
—Antoine de Saint-Exupery
A Fictional Weather Forecast
An atmosphere of suspense fills the air. We are a group of 80 participants with all of our attention
focused on four people in the middle, who are presenting their group results. We witness a fictional weather forecast sometime in the future. Using a picture by an expressionist painter, they
explain a satellite image. We learn of training eruptions and competence storms that pour forth
like lava. A media Atlantis rises up from the depths and with the help of “Aroma” Computers, Old
and New World become networked together, repairing themselves without any help.
One could have heard a needle drop at that moment. The applause for their imaginative,
utopian ideas goes on for a long time. Sighs of relief escape from the people who had stepped in
the middle of the “6S-4D” Studio (six senses, four dimensions), and they breathe in the lofty
atmosphere. Participants who would not have trusted themselves to say anything in front of a
large audience suddenly find the encouragement and motivation to do something completely off
the wall and ingenious, following their dreams and desires to their hearts’ content.
How will the facilitation team bridge the gap to the serious topic at hand? Having jotted
down every content-related remark, they now request “translation” of the ideas covering reams
of flip-chart paper, using them as a metaphor, describing their hidden meanings. Thus, “competence storms” becomes a mandate for a competence team in a company to track emerging trends.
A cardboard bridge is interpreted as creating a meeting place for teams to exchange ideas. A bee-
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tle is transformed into a community bus eating up money, demonstrating the idea of cost reduction . . . and the imagining continues.
Frequently Asked Questions
What Is a Power of Imagination Studio?
The starting point for a Power of Imagination Studio—a unique style of Future Workshop—is a serious topic indeed. A studio moderation team acts as a midwife, responsible for the
process that shepherds the birth of something new. Participants create the content, the topics,
and categories that come into being during the process. Once these are born, the participants are
responsible for the ongoing life of the results.
The process works from the belief that the people affected have the capacities they need for
change. They are the experts responsible for finding a solution and changing their lives and work
environments. External consulting—even trendsetting technical lectures to “prep” participants—
is unnecessary. All are treated as equals regardless of position, age, or experience.
A space is provided for a wide spectrum of applications: bringing together different opinions
and strengths, awakening slumbering creativity, or supporting self-organization in social groups.
Participants mix in different groups and connections, working with questions that matter to them.
The Future Workshop (“Zukunftswerkstatt”) originated in the peace efforts of its inventor,
Robert Jungk. The Power of Imagination Studio builds on the Future Workshop concept by using
the individual and collective shifts that come through creativity.
How Does the Power of Imagination Studio Work?
The theme of the process is established beforehand with the specifics unfolding as participants travel through three phases.
In phase one, participants name their issues and problems, freeing themselves of this burden. The complaint and criticism phase brings worry, dissatisfaction, and fears into the foreground
so that they can be understood and form the basis for starting anew. This work generates appreciation for the way things are that can move a paralyzed situation symbolically toward the future.
The second phase is the imagination and metopia phase, in which “thought landscapes” and
ideals are formed. Metopia,1 derived from the Greek word for “implementable nonexistent place,”
is an idea about a near future falling under the participants’ influence, but not fitting within the
horizon of rational analytical thought. Artwork, games, and stories are invented and presented
through the use of theatre and the arts. The group selects the most unusual, incomprehensible,
and fanciful mental images for the most exciting step of all. The chosen ideas are carefully “translated” into ordinary language. Thus, a bridge fashioned from wood, yarn, and fragments of glass
symbolizes improved cooperation, a translation of their desire for greater collaboration as the
future they wish to create.
The third phase requires the best of participants’ thinking and negotiating skills. In the
implementation and practical phase, parallel groups work through the chosen themes, clarifying